GRETA GARBO THE ULTIMATE STAR

She was born Greta Lovisa Gustafsson. To the screen loving public however she was simply known as GARBO.

A major star of the silent era and the MGM period of the 1930's and early 40's, Garbo gained her popularity not only for her screen perona but also for her private life and elusivenss. In later years Garbo wanted to be left alone. The public refused to do so.

This beautiful piece is a scarf worn by Greta Garbo in the 1937 MGM costume drama "Conquest". The film was also known by another title of Marie Walenska, the character played by Garbo.

The scarf measures a huge 40x90" and is a three line gold trim vintage silk with fleur de lis design and satin fringe pattern throughout.

Conquest tells the story of a polish countess played by Garbo who becomes Napoleon Bonaparte's mistress and who feels that she may influence him to make Poland an independent State.

The costumes were designed by the legendary Adrian who designed for many of the MGM great stars in the 1930's and 40's including Joan Crawford, Norma Shearer, Lana Turner, Judy Garland, Jeanette MacDonald, Jean Harlow and Katharine Hepburn.

Adrian worked with Garbo throughout the course of her career. As with Garbo, Adrian Adolph Greenberg was simply addressed on screen and in any publications with the phrase "Gowns by Adrian".

Garbo made the transition from silent film to sound well. The studio waited for the best vehicle for her to do this which came along in the form of Anna Christie in 1930. The phrase "Garbo Talks" was one well known to the movie audiences of 1930 who could not wait to hear what she would sound like. They approved.

Garbo has appeared in many memorable film classics including Anna Karenina (1935), and as the courtesan Marguerite Gautier in Camille (1936). Garbo turned to comedy in the 1939 classic, Ninotchka (1939) and Two-Faced Woman (1941) her final film. Garbo retired to her New York appartment. She was a prolific traveller however and to her circle of trusted friends continued her social life.

Up until the end of her life, Garbo sighting in New York was considered a great thrill to the fans who remembered her and her works. To the media, she was another chance at an exclusive photo of the ageing star.

Various attempts to return to film took place over the years but it was never meant to be.

Garbo was reported to have attended a film festival of her films in the 80's in disguise to see her performance on the screen. In the seventies when the Metropolitan Museum of Art conducted a retrospective of film costume under the eye of Diane Vreeland, Garbo costumes were on display.

A private viewing before the public opening was requested by Garbo who attended one morning to view the costumes including some she wore in films like Camille and Anna Karenina. Garbo is reported to have touched the pieces like she was saying hello to an old friend and remembering the magic of what was. Garbo did for a time enjoy what she did, being an actress and being the best she could be on film. The camera loved her face, the audience loved what they saw. It was a match made in the movies!

Garbo died in 1990 at the age of 84.

GREER GARSON ENGLISH ROSE

British Born Greer Garson was a major MGM star in the 40’s and 50’s and was discovered by MGM head Louis B. Mayer on the London stage. Mayer offered Garson a contract with MGM.

At MGM Garson starred in memorable film classics including “Goodbye, Mr. Chips”. Garson was nominated for an Oscar for her role.

Garson also appeared in other memorable films including “Pride and Prejudice” , “Mrs Miniver”, “Mrs Parkington” and “Marie Curie” .

Here is a period gown worn by Greer Garson in the 1951 MGM film “Law and the Lady” Starring opposite Michael Wilding and Fernando Lamas, Garson plays a housemaid turned thief and con artist. This comedy was the third remake of this famous stage play and Garsons role had previously been portrayed by both Norma Shearer and Joan Crawford.



Costumes for the film were designed by Walter Plunkett. Plunkett who also designed for “Gone With The Wind” in 1939 called upon a previous design he used in that film, namely the famous green dress that Scarlett O’Hara has made out of curtains. In this film, Garson discusses having made her gown out of the curtains, which hung in her now ex employer’s drawing room. Plunkett makes wonderful use of the curtain tassel on the gown as part of the design of he costume.



The costume appears in a very charming scene between both Wilding and Lamas.

The gown also gives an insight into the colours and fabrics used by the MGM costume creators in order for the costumes to appear and to film well on black and white film stock. The rust coloured silk provides a striking comparison to the white panels, which appears beautifully on screen.



Garson remains one of the most popular actresses of the 40’s and continues to remain for many a much loved and adored film star.